The 4th Wall

Finshaggy

Finshaggy

Well-Known Member
Now, I'm from America, and I feel as if this idea to break the 4th wall is just FAR too progressive for Americans's, but Britain already does this shit to a certain extent.


So, there is already extras and the office. Where the 4th wall in just obliterated, eyes look directly into the camera, and it works.


But I want to do something different.
I want to create a world, where when the 4th wall is broken, it doesn't mean you can see just the crew and directors.


I want to create an alternative to what happens. Sure, make it where the scenes get filmed, and it cuts to the crew. But then we need to show a group of people WATCHING the TV as well, and eventually make it where the people IN the show and the people WATCHING the show are working together, without actually ever meeting, by using the 4th wall.
 
srh88

srh88

Well-Known Member
you have a lot of goals and they all cost money, work on making money 1stwhat you make a month i probably spend on cigarettes in a week
 
Finshaggy

Finshaggy

Well-Known Member
I'm serious, we need a show where when the scene is happening it's like there is no crew, and the actors and audience are communicating directly. But not at first, they have to discover it.
 
chewberto

chewberto

Well-Known Member
You want a lot of things....first take action by peeling your decomposing ass of of your buddies couch, and get a real job you unflushable hot stinky Thai turd...
 
R

Rastafari InI

Active Member
I like walls especially firm ones but the 1st wall is too big and the 2nd is too small the 3rd is just right, your being rapacious by wanting a 4th wall is the 3rd not satisfactory?

But seriously your insatiableness concerns me at times....
 
kinetic

kinetic

Well-Known Member
Kobe is going to be fine when he comes back. I think Rose better come out fast though after his team (his handlers) not the bulls decided to keep him out.
 
Finshaggy

Finshaggy

Well-Known Member
Here's how it works: At first the story is completely separate, one following the actors, one following the viewers. The actors have a crew and everything, but then eventually they discover that they can communicate with the group that is watching TV. The group watching TV is well freaked out, and so are the crew, who are trying to talk to the actors, who seem to be talking to themselves. So as the story progresses the actors have to learn how to communicate to the people watching, but without the crew seeing them do it (or the crew will start asking questions again). So basically the actors have a script to follow, and a director to please. But at the same time they are trying to get a message across to the public. Then the viewers go and get it done, or work towards it so they can do it when they get off work.
 
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