Waging A Real War On Christmas/Synchronized Hyperspace Event (S.H.E.)

[Finshaggy]

I will get back to fairytales when I am back for good in a day or two, but I just thought I would put a few things here for everyone. If you buy a 2015 Old Farmer's Almanac it will have more stuff than this, but here is some stuff you can look at online.

Moon Calendar (based on where you live)
http://www.almanac.com/moon/calendar/CO/Denver/2014-11

Long Range Weather Forecast
http://www.almanac.com/weather/longrange

Eclipse Dates for 2015
http://www.almanac.com/astronomy/eclipse-dates

Sky Chart for Stars and Planets
http://www.almanac.com/content/sky-maps-star-charts-november-2014

Today in Weather History
http://www.almanac.com/weather/history/today

And here is a list of "Alchemical" substances.


Aqua Fortis – nitric acid, can be formed by 2 parts saltpetre in 1 part (pure) oil of vitriol (sulfuric acid). (Historically, this process could not have been used, as 98% oil of vitriol was not available)
Aqua Ragia/Spirit of turpentine/Oil of turpentine/Gum turpentine – turpentine, formed by the distillation of pine tree resin.
Aqua Regia (Latin: "royal water") – a mixture of aqua fortis and spirit of salt.
Aqua Tofani – arsenic trioxide. Extremely poisonous. AsO3
Aqua vitae/Spirit of Wine – ethanol, formed by distilling wine
fulminating gold – unstable gold carbonate formed by precipitation by potash from gold dissolved in aqua regia.
Bismuth (German: Wismuth)
Blende
Blue Vitriol/Bluestone – A mineral; copper(II) sulfate pentahydrate.
Brimstone – sulfur.

Flowers of sulfur – formed by distilling sulfur.

Butter (or oil) of antimony – antimony trichloride. Formed by distilling roasted stibnite with corrosive sublimate, or dissolving stibnite in hot concentrated hydrochloric acid and distilling. SbCl3
Cadmia/Tuttia/Tutty – probably zinc carbonate.
Calamine – zinc carbonate.
Calomel/Horn Quicksilver/horn mercury – mercury(I) chloride, a very poisonous purgative formed by subliming a mixture of mercuric chloride and metallic mercury, triturated in a mortar and heated in an iron pot. The crust formed on the lid was ground to powder and boiled with water to remove the calomel.
Caustic potash/Caustic Wood Alkali – potassium hydroxide, formed by adding lime to potash.
Caustic Soda/Caustic Marine Alkali – sodium hydroxide, formed by adding lime to natron. NaHCO3
Caustic Volatile Alkali – ammonium hydroxide.
Chalk – a rock composed of porous biogenic calcium carbonate. CaCO3
Chrome green – chromic oxide and cobalt oxide.
Chrome orange – chrome yellow and chrome red.
Chrome red – basic lead chromate – PbCrO4+PbO.
Chrome yellow/Paris Yellow/Leipzig Yellow – lead chromate – PbCrO4.
Cinnabar/Vermilion – refers to several substances, among them: mercury(II) sulfide (HgS), or native vermilion (the common ore of mercury).
Copper Glance – copper(I) sulfide ore.
Corrosive sublimate – mercuric chloride, formed by subliming mercury, calcined green vitriol, common salt and nitre.
Cuprite – copper(I) oxide ore.
Dutch White – a pigment, formed from one part of white lead to three of barium sulfate. BaSO4
Flowers of antimony – antimony trioxide, formed by roasting stibnite at high temperature and condensing the white fumes that form. SbO3
Fool's gold – a mineral; iron disulfide or pyrite, can form oil of vitriol on contact with water and air.
Fulminating silver – silver nitride, formed by dissolving silver(I) oxide in ammonia. Very explosive when dry.
Fulminating gold – gold hydrazide, formed by adding ammonia to the auric hydroxide. When dry, can explode on concussion.
Galena – lead(II) sulfide. Lead ore.
Glass of antimony – impure antimony tetroxide, formed by roasting stibnite. A yellow pigment for glass and porcelain. SbO4
Glauber's Salt – sodium sulfate. Na2SO4
Green Vitriol – a mineral; iron(II) sulfate heptahydrate. (or ferrous sulfate)

Marcasite – a mineral; iron disulfide. In moist air it turns into green vitriol, FeSO4
Rouge/Crocus/Colcothar – ferric oxide, formed by burning green vitriol in air.

Gum Arabic – gum from the Acacia tree.
Gypsum – a mineral; calcium sulfate. CaSO4
Horn Silver/Argentum Cornu – a weathered form of chlorargyrite, an ore of silver chloride.

Luna cornea – silver chloride, formed by heating horn silver till it liquifies and then cooling.

King's yellow – formed by mixing orpiment with white arsenic.
Lapis solaris (Bologna stone) – barium sulfide – 1603, Vincenzo Cascariolo
Lead fume – lead oxide, found in flues at lead smelters.
Lime/Quicklime (Burnt Lime)/Calx Viva/Unslaked Lime – calcium oxide, formed by calcining limestone.

Slaked Lime – calcium hydroxide. Ca(OH)2

Liver of sulfur – formed by fusing potash and sulfur.
Lunar caustic/lapis infernalis – silver nitrate, formed by dissolving silver in aqua fortis and evaporating.
Lye – potash in a water solution, formed by leaching wood ashes.

Potash/Salt of tartar – potassium carbonate, formed by evaporating lye. K2CO3
Pearlash – formed by baking potash in a kiln.

Massicot – lead monoxide. PbO

Litharge – lead monoxide, formed by fusing and powdering massicot.
Minium/Red Lead – trilead tetroxide, formed by roasting litharge in air. Pb3O4
Naples yellow/Cassel yellow – oxychloride of lead, formed by heating litharge with sal ammoniac.

Mercurius praecipitatus – red mercuric oxide.
Milk of Sulfur (lac sulphuris) – formed by adding an acid to thion hudor (lime sulfur).
Mosaic Gold – stannic sulfide, formed by heating a mixture of tin filings, sulfur and sal-ammoniac.
Natron/Soda Ash/Soda – sodium carbonate. Na2CO3
Nitrum Flammans – ammonium nitrate.
Oil of Vitriol/Spirit of Vitriol – sulfuric acid, a weak version can be formed by heating green vitriol and blue vitriol. H2SO4
Orpiment – arsenic trisulfide, an ore of arsenic.
Pearl white – bismuth nitrate. BiNO3
Philosophers' Wool/nix alba (white snow)/Zinc White – zinc oxide, formed by burning zinc in air, used as a pigment.
Plumbago – a mineral; graphite, not discovered in pure form until 1564.
Powder of Algaroth – antimonious oxychloride, formed by precipitation when a solution of butter of antimony and spirit of salt is poured into water.
Purple of Cassius – formed by precipitating a mixture of gold, stannous and stannic chlorides, with alkali. Used for glass coloring.
Realgar – arsenic disulfide, an ore of arsenic.
Regulus of antimony
Resin of copper – copper(I) chloride (cuprous chloride), formed by heating copper with corrosive sublimate.
Sal Ammoniac – ammonium chloride.
Sal Petrae (Med. Latin: "stone salt")/Salt of Petra/Saltpetre/Nitrate of potash – potassium nitrate, typically mined from covered dungheaps. KNO3
Salt/Common salt – A mineral; sodium chloride, formed by evaporating seawater (impure form). NaCl
Spirit of box/Pyroxylic spirit – methanol, distillation of wood alcohol. CH3OH
Spirit of Hartshorn – ammonia, formed by the decomposition of sal-ammoniac by unslaked lime.
Salt of Hartshorn/Sal Volatile – ammonium carbonate formed by distilling bones and horns.
Spirit of Salt/Acidum Salis – the liquid form of hydrochloric acid (also called muriatic acid), formed by mixing common salt with oil of vitriol.

Marine Acid Air – gaseous form of hydrochloric acid.

Spiritus fumans – stannic chloride, formed by distilling tin with corrosive sublimate.

Tin salt – hydrated stannous chloride.
Butter of tin – hydrated tin(IV) chloride.

Stibnite – antimony or antimony trisulfide, ore of antimony.
Sugar of Lead – lead acetate, formed by dissolving lead oxide in vinegar.
Sweet Vitriol – diethyl ether.
Thion Hudor – lime sulfur, formed by boiling flowers of sulfur with slaked lime.
Turpeth mineral – hydrolysed form of mercury(II) sulfate.
Verdigris – Carbonate of Copper or (more recently) copper(II) acetate. The carbonate is formed by weathering copper. The acetate is formed by vinegar acting on copper. One version was used as a green pigment.
White arsenic – arsenious oxide, formed by subliminating arsenical soot from the roasting ovens.
White lead – carbonate of lead, a toxic pigment, produced by corroding stacks of lead plates with dilute vinegar beneath a heap of moistened wood shavings. (replaced by blanc fixe & lithopone)
White vitriol – zinc sulfate, formed by lixiviating roasted zinc blende.
Venetian White – formed from equal parts of white lead and barium sulfate.
Zaffre – impure cobalt arsenate, formed after roasting cobalt ore.
Zinc Blende – zinc sulfide.

 

[Finshaggy]

And if you remember my post about medical grade hash extraction, it was a simple Polarization method. And I did not know this, but when you put it in the Freezer and filter it, it is called "Winterizing" it. I froze mine and noticed that freezing it made it separate better, but I did not know that Polarization and Winterization were 2 different techniques.

So if you make a Polarized Mixture, then Freeze it or put it in the Fridge before Separating, you will get better results. And you can also add a filter step if you want.

 

[Finshaggy]

GEMS

Jan.= Garnet.

Feb.= Amethyst.

Mar. = Bloodstone.

April = Diamond.

May = Emerald.

June = Agate.

July = Ruby.

Aug. = Sardonyx.

Sep. = Sapphire.

Oct. = Opal.

Nov.= Topaz.

Dec.= Turquoise.

Aries, the Ram=April=Amethyst

Taurus, the Bull=May=Agate

Gemini, the Twins=June=Beryl

Cancer, the Crab=July=Emerald

Leo, the Lion=August=Ruby

Virgo, the Virgin=September=Jasper

Libra, the Balance=October=Diamond

Scorpio, the Scorpion=November=Topaz

Sagittarius, the Archer=December=Carbuncle

Capricorn, the Goat=January=Onyx Chalcedony

Aquarius, the Waterbearer=February=Sapphire

Pisces, the Fishes=March =Chrysolite

 

[abe supercro]

the zodiac sign calendar dates are more specific and overlap in between months, jus sayin.

 

[Finshaggy]

PYTHAGOREAN MATH
The first step in obtaining the numerical value of a word is to resolve it back into its original tongue. Only words of Greek or Hebrew derivation can be successfully analyzed by this method, and all words must be spelled in their most ancient and complete forms. Old Testament words and names, therefore, must be translated back into the early Hebrew characters and New Testament words into the Greek. Two examples will help to clarify this principle.

The Demiurgus of the Jews is called in English Jehovah, but when seeking the numerical value of the name Jehovah it is necessary to resolve the name into its Hebrew letters. It becomes יהוה, and is read from right to left. The Hebrew letters are: ה, He; ו, Vau; ה, He; י, Yod; and when reversed into the English order from left to right read: Yod-He-Vau-He. By consulting the foregoing table of letter values, it is found that the four characters of this sacred name have the following numerical significance: Yod equals 10. He equals 5, Vau equals 6, and the second He equals 5. Therefore, 10+5+6+5=26, a synonym of Jehovah. If the English letters were used, the answer obviously would not be correct.

The second example is the mysterious Gnostic pantheos Abraxas. For this name the Greek table is used. Abraxas in Greek is Ἀβραξας. Α = 1, β = 2, ρ = 100, α = 1, ξ =60, α = 1, ς = 200, the sum being 365, the number of days in the year. This number furnishes the key to the mystery of Abraxas, who is symbolic of the 365 Æons, or Spirits of the Days, gathered together in one composite personality. Abraxas is symbolic of five creatures, and as the circle of the year actually consists of 360 degrees, each of the emanating deities is one-fifth of this power, or 72, one of the most sacred numbers in the Old Testament of the Jews and in their Qabbalistic system. This same method is used in finding the numerical value of the names of the gods and goddesses of the Greeks and Jews.

All higher numbers can be reduced to one of the original ten numerals, and the 10 itself to 1. Therefore, all groups of numbers resulting from the translation of names of deities into their numerical equivalents have a basis in one of the first ten numbers. By this system, in which the digits are added together, 666 becomes 6+6+6 or 18, and this, in turn, becomes 1+8 or 9. According to Revelation, 144,000 are to be saved. This number becomes 1+4+4+0+0+0, which equals 9, thus proving that both the Beast of Babylon and the number of the saved refer to man himself, whose symbol is the number 9. This system can be used successfully with both Greek and Hebrew letter values.

The original Pythagorean system of numerical philosophy contains nothing to justify the practice now in vogue of changing the given name or surname in the hope of improving the temperament or financial condition by altering the name vibrations.

There is also a system of calculation in vogue for the English language, but its accuracy is a matter of legitimate dispute. It is comparatively modern and has no relationship either to the Hebrew Qabbalistic system or to the Greek procedure. The claim made by some that it is Pythagorean is not supported by any tangible evidence, and there are many reasons why such a contention is untenable. The fact that Pythagoras used 10 as the basis of calculation, while this system uses 9--an imperfect number--is in itself almost conclusive. Furthermore, the arrangement of the Greek and Hebrew letters does not agree closely enough with the English to permit the application of the number sequences of one language to the number sequences of the others. Further experimentation with

Column




1
Names of the Hebrew letters.

2
Samaritan Letters.

3
Hebrew and Chaldean letters.

4
Numerical equivalents of the letters.

5
Capital and small Greek letters.

6
The letters marked with asterisks are those brought to Greece from Phœnicia by Cadmus.

7
Name of the Greek letters.

8
Nearest English equivalents to the Hebrew, Greek, and Samaritan Letters.

NOTE. When used at the end of a word, the Hebrew Tau has the numerical value 440, Caph 500, Mem 600, Nun 700, Pe 800, Tzadi 900. A dotted Alpha and a dashed Aleph have the value of 1,000.

the system may prove profitable, but it is without basis in antiquity. The arrangement of the letters and numbers is as follows:

1 A J S
2 B K T
3 C L U
4 D M V
5 E N W
6 F O X
7 G P Y
8 H Q Z
9 I R


The letters under each of the numbers have the value of the figure at: the top of the column. Thus, in the word man, M = 4, A = 1, N = 5: a total of 10. The values of the numbers are practically the same as those given by the Pythagorean system.

The Pythagoreans declared arithmetic to be the mother of the mathematical sciences. This is proved by the fact that geometry, music, and astronomy are dependent upon it but it is not dependent upon them. Thus, geometry may be removed but arithmetic will remain; but if arithmetic be removed, geometry is eliminated. In the same manner music depends upon arithmetic, but the elimination of music affects arithmetic only by limiting one of its expressions. The Pythagoreans also demonstrated arithmetic to be prior to astronomy, for the latter is dependent upon both geometry and music. The size, form, and motion of the celestial bodies is determined by the use of geometry; their harmony and rhythm by the use of music. If astronomy be removed, neither geometry nor music is injured; but if geometry and music be eliminated, astronomy is destroyed. The priority of both geometry and music to astronomy is therefore established. Arithmetic, however, is prior to all; it is primary and fundamental.

 

[Finshaggy]

the zodiac sign calendar dates are more specific and overlap in between months, jus sayin.

There was a list for that, but I didn't feel like adding it because I just wanted to keep it simple. This specific part is just to show the connection between Greece and Egypt.

 

[Finshaggy]

If anyone reading this is in to Pythagorean math and stuff like that, you should try to find the book "Hebrew is Greek" by Joseph Yahuda

It is like $2,000 on amazon, but you can get it on torrents and stuff for free. The book explains how Phoenician is the mother of all languages (Hence: Phonetics), they Created Hebrew, Greek/Latin & Arabic. Which then branched out in to all the other languages. According to the Egyptian, Phrygian was the "Oldest" language. They raised 2 children without letting them talk to anyone, and the language they spoke was Phrygian.

 

[bradburry]

If anyone reading this is in to Pythagorean math and stuff like that, you should try to find the book "Hebrew is Greek" by Joseph Yahuda

It is like $2,000 on amazon, but you can get it on torrents and stuff for free. The book explains how Phoenician is the mother of all languages (Hence: Phonetics), they Created Hebrew, Greek/Latin & Arabic. Which then branched out in to all the other languages. According to the Egyptian, Phrygian was the "Oldest" language. They raised 2 children without letting them talk to anyone, and the language they spoke was Phrygian.

can you post me all the links to your vids .

 

[bradburry]

you do know that your sig link has been terminated for constant infringment of the site owners rules and copywright thingy stuff....finny

 

[bradburry]

is that you on the vid

And if you remember my post about medical grade hash extraction, it was a simple Polarization method. And I did not know this, but when you put it in the Freezer and filter it, it is called "Winterizing" it. I froze mine and noticed that freezing it made it separate better, but I did not know that Polarization and Winterization were 2 different techniques.

So if you make a Polarized Mixture, then Freeze it or put it in the Fridge before Separating, you will get better results. And you can also add a filter step if you want.

 

[Finshaggy]

This is Jewish out of Egypt instead of Greek out of Egypt. Notice the Altar is make from Acacia wood, Acacia is the "Tree of Life" in Egypt, and people were known to "drink from it" in Egypt. We now know that many Acacia species contain DMT and 5-MeO-DMT, as well as other similar structures.

The Ark of the Covenant was also made from Acacia.

THE TABERNACLE
26 “Make the tabernacle with ten curtains of finely twisted linen and blue, purple and scarlet yarn, with cherubim woven into them by a skilled worker. 2 All the curtains are to be the same size—twenty-eight cubits long and four cubits wide.[a] 3 Join five of the curtains together, and do the same with the other five. 4 Make loops of blue material along the edge of the end curtain in one set, and do the same with the end curtain in the other set. 5 Make fifty loops on one curtain and fifty loops on the end curtain of the other set, with the loops opposite each other. 6 Then make fifty gold clasps and use them to fasten the curtains together so that the tabernacle is a unit.

7 “Make curtains of goat hair for the tent over the tabernacle—eleven altogether. 8 All eleven curtains are to be the same size—thirty cubits long and four cubits wide. 9 Join five of the curtains together into one set and the other six into another set. Fold the sixth curtain double at the front of the tent. 10 Make fifty loops along the edge of the end curtain in one set and also along the edge of the end curtain in the other set. 11 Then make fifty bronze clasps and put them in the loops to fasten the tent together as a unit. 12 As for the additional length of the tent curtains, the half curtain that is left over is to hang down at the rear of the tabernacle. 13 The tent curtains will be a cubit[c] longer on both sides; what is left will hang over the sides of the tabernacle so as to cover it. 14 Make for the tent a covering of ram skins dyed red, and over that a covering of the other durable leather.[d]

15 “Make upright frames of acacia wood for the tabernacle. 16 Each frame is to be ten cubits long and a cubit and a half wide,[e] 17 with two projections set parallel to each other. Make all the frames of the tabernacle in this way. 18 Make twenty frames for the south side of the tabernacle 19 and make forty silver bases to go under them—two bases for each frame, one under each projection. 20 For the other side, the north side of the tabernacle, make twenty frames 21 and forty silver bases—two under each frame. 22 Make six frames for the far end, that is, the west end of the tabernacle, 23 and make two frames for the corners at the far end. 24 At these two corners they must be double from the bottom all the way to the top and fitted into a single ring; both shall be like that. 25 So there will be eight frames and sixteen silver bases—two under each frame.

26 “Also make crossbars of acacia wood: five for the frames on one side of the tabernacle, 27 five for those on the other side, and five for the frames on the west, at the far end of the tabernacle. 28 The center crossbar is to extend from end to end at the middle of the frames. 29 Overlay the frames with gold and make gold rings to hold the crossbars. Also overlay the crossbars with gold.

30 “Set up the tabernacle according to the plan shown you on the mountain.

31 “Make a curtain of blue, purple and scarlet yarn and finely twisted linen, with cherubim woven into it by a skilled worker. 32 Hang it with gold hooks on four posts of acacia wood overlaid with gold and standing on four silver bases. 33 Hang the curtain from the clasps and place the ark of the covenant law behind the curtain. The curtain will separate the Holy Place from the Most Holy Place. 34 Put the atonement cover on the ark of the covenant law in the Most Holy Place. 35 Place the table outside the curtain on the north side of the tabernacle and put the lampstand opposite it on the south side.

36 “For the entrance to the tent make a curtain of blue, purple and scarlet yarn and finely twisted linen—the work of an embroiderer. 37 Make gold hooks for this curtain and five posts of acacia wood overlaid with gold. And cast five bronze bases for them.

ARK OF THE COVENANT
10 “They shall construct an ark of acacia wood two and a half [a]cubits long, and one and a half cubits [c]wide, and one and a half cubits [d]high. 11 You shall overlay it with pure gold, inside and out you shall overlay it, and you shall make a gold molding [e]around it. 12 You shall cast four gold rings for it and [f]fasten them on its four feet, and two rings shall be on one side of it and two rings on the other side of it. 13 You shall make poles of acacia wood and overlay them with gold. 14 You shall put the poles into the rings on the sides of the ark, to carry the ark with them. 15 The poles shall [g]remain in the rings of the ark; they shall not be removed from it. 16 You shall put into the ark the testimony which I shall give you.

17 “You shall make a [h]mercy seat of pure gold, two and a half cubits [j]long and one and a half cubits [k]wide. 18 You shall make two cherubim of gold, make them of hammered work [l]at the two ends of the mercy seat. 19 Make one cherub [m]at one end and one cherub [n]at the other end; you shall make the cherubim of one piece with the mercy seat at its two ends. 20 The cherubim shall have their wings spread upward, covering the mercy seat with their wings and [o]facing one another; the faces of the cherubim are to be turned toward the mercy seat. 21 You shall put the mercy seat [p]on top of the ark, and in the ark you shall put the testimony which I will give to you. 22 There I will meet with you; and from above the mercy seat, from between the two cherubim which are upon the ark of the testimony, I will speak to you about all that I will give you in commandment for the sons of Israel.

 

[Finshaggy]

Acacia is also an ancient species of Tree. Based on the history of Acacia, we can tell that the world was either extremely hot, or even on fire about 22 Million years ago.

Acacia went through a heavy evolutionary process at this time allowing it to survive extreme heat, via a gas it emits if I am not mistaken. And this is one of the reasons historians think Moses' "burning bush" was Acacia. Because it could have been a plant that was growing near a heat vent, so it was vaporizing, but it was not burning away because it was possibly an Acacia. If it were a voprizing Acacia in a small chamber, it may also explain how Moses talked to God.

 

[bradburry]

can you post me all the links to your vids .

im actually wanting nevaeh vids you know all his own stuff please finny if you know them please

 

[Finshaggy]

is that you on the vid

Yeah it's me. If you want all my videos just search FinShaggy on Youtube

 

[Finshaggy]

Bes, was a very popular Talisman, being the god of Laughter, Merry-making, and Good Luck; by some authorities he is considered to be a foreign importation from pre-dynastic times, and he has been identified with Horus and regarded as the god who renewed youth. He was also the patron of beauty, the protector of children, and was undoubtedly the progenitor of the modern Billiken. A bandy-legged dwarf with horns. God of music and pleasure. Possibly also a god of birth.

Bes was known to be connected with "Syrian Rue". They would cover statues of him in Syrian Rue Perfume, meaning they had extractions of it. If you have ever heard of "Ayahuasca" the Yage Vine contains MAOIs which activate the DMT in the Chacruna. Syrian Rue also contains MAOIs, while Acacia contains DMT. So the Egyptians may have been using their Bes perfume extractions, and mixing them with their Tree of Life juice, basically making Ayahuasca. The first people to extract and consume MAOIs in modern record thought they developed Psychic ability between one another, and they named the Chemical they isolated "Telepathine", but it turned out it was already named "Harmaline" by someone else who isolated it and didn't consume it. The "Yage Vine" is known as the "Spirit Vine" by the people in the Amazon because they claimed it allowed them to communicate their ancestors spirits.

Bes later came to be regarded as the defender of everything good and the enemy of all that is bad. While past studies identified Bes as a Middle Kingdom import from Nubia, more recent research indicates that he was present in Egypt since the start of Old Kingdom. Mentions of Bes can be traced to pre-dynastic Nile Valley cultures.

Bes was a household protector, throughout ancient Egyptian history becoming responsible for such varied tasks as killing snakes, fighting off evil spirits, watching after children, and aiding (by fighting off evil spirits) women in labour (and thus present with Taweret at births).

Since he drove off evil, Bes also came to symbolize the good things in life - music, dance, and sexual pleasure. Later, in the Ptolemaic period of Egyptian history, chambers were constructed, painted with images of Bes and his wife Beset, thought by Egyptologists to have been for the purpose of curing fertility problems or general healing rituals.

Many instances of Bes masks and costumes from the New Kingdom and later have been uncovered. These show considerable wear, thought to be too great for occasional use at festivals, and are therefore thought to have been used by professional performers, or given out for rent.

In the New Kingdom, tattoos of Bes could be found on the thighs of dancers, musicians and servant girls.

Like many Egyptian gods, the worship of Bes was exported overseas, and he, in particular, proved popular with the Phoenicians and the ancient Cypriots.

The cult of Saint Bessus in northern Italy may represent the Christianization of the cult associated with Bes; St. Bessus was also invoked for fertility, and Bessus and Bes are both associated with an ostrich feather in their iconography.[3]

The Balearic island of Ibiza derives its actual name from this God, brought along with the first Phoenician settlers 654 BC. These settlers, amazed at the lack of any sort of venomous creatures on the island thought it to be the island of Bes (<איבשם> ʔybšm *ʔibošim). Later Romans called it Ebusus.

Bes was generally depicted as a bearded dwarf, sticking out his tongue and shaking a rattle. He is always depicted facing forwards. This was very rare in Egyptian art and gave him a further link with Hathor who also faces the front. However, unlike the simple beauty of that goddess, Bes is a comical figure with pronounced bow legs, prominent genitals and a tail. He usually wears a plumed crown and the lion or panther skin associated with the "stm" priests. Occassionally he wears the Atef crown and is depicted as a winged deity. There are also a number of amulets and depictions of Bes which only show his head (still facing the front), although most of these date from the Third Intermediate Period or later.

Bes was sometimes depicted with feline or leonine features and often sports a long tail prompting the speculation that in earlier times, he was not in fact a dwarf but a lion or cat rearing up on his hind legs. If he did start out as a feline goddess this would give him a further link to Hathor who was herself very closely associated with Bast (a cat goddess) and Sekhmet (a lion goddess) and the "Eye of Ra" (the fearsome protector of Ra). Furthermore, his name may be derived from the Nubian word for cat ("besa") and is written using the determinative for a mammal rather than the determinative of a god or a man (the cow skin). It is equally likely that he was always seen as a dwarf with the strength and power of a cat.

 

[Finshaggy]

BAT
Bat was a cow goddess in Egyptian mythology depicted as a human face with cow ears and horns. By the time of the Middle Kingdom, her identity and attributes were subsumed within the goddess Hathor. The worship of Bat dates to earliest times and may have its origins in Late Paleolithic cattle herding.

The epithet Bat may be linked to the word ba with the feminine suffix 't'. A person's ba roughly equates to his or her personality or emanation and is often translated as 'soul'.

Bat became strongly associated with the sistrum, and the center of her cult was known as the 'Mansion of the Sistrum'.[2] The sistrum is a musical instrument, shaped like an ankh,[1] that was one of the most frequently used sacred instruments in ancient Egyptian temples. Some instruments would include depictions of Bat, with her head and neck as the handle and base and rattles placed between her horns. The imagery is repeated on each side, having two faces, as mentioned in the Pyramid Texts:.

"I am Praise; I am Majesty; I am Bat with Her Two Faces; I am the One Who Is Saved, and I have saved myself from all things evil."

An amuletic bangle made in gold and silver c2000-1800BC shows protective symbols including wadjet eyes, djed pillars and ankh signs, also shown is the horned mask of the goddess Bat. The amulet was probably used to place the wearer with a protective circle.

She comes by many different titles. She is known as “Ba of Two Faces” because of her uncanny ability to see the past and the future, and possibly because of her representation of the two banks of the Nile River. Because of Her bovine features, she acquired the titles “She Who Lows” and the “Great Wild Cow”.

In depictions of Bat during the twelfth dynasty, she is flanked by the often-warring gods, Horus and Set (they represented Upper and Lower Egypt respectively and struggled for the throne of Egypt) and many believers think that she is a unifying force that drove the nation from division into oneness.

BANEBDJEDET
Banebdjedet (Banebdjed) The name is translated as “the ba (meaning the spirit) of the lord of the djed”. Ram gods often regarded as manifestation of other deities, as the word ram (ba) and the word for soul or manifestation sounded the same in Egyptian.

The words for "ram" and "soul" sounded the same in Egyptian so ram deities were at times regarded as appearances of other gods.[2]

Typically Banebdjedet was depicted with four rams' heads to represent the four Ba's of the sun god. He may also be linked to the first four gods to rule over Egypt (Osiris, Geb, Shu and Ra-Atum), with large granite shrines to each in the Mendes sanctuary.[2] Therefore, Banedgjedet was considered the father of Horus. These three deities formed the “Mendesian Triad”. His appearance portrayed as a man with the head of ram or as a ram itself. He was also given the titles such as “Lord of the Sky” and “Lord of Life”.

The Book of the Heavenly Cow describes the "Ram of Mendes" as being the Ba of Osiris but this was not an exclusive association. A story dated to the New Kingdom describes him as being consulted by the "Divine Tribunal" to judge between Horus and Seth but he proposes that Neith do it instead as an act of diplomacy. As the dispute continues it is Banebdjedet who suggests that Seth be given the throne as he is the elder brother.

He was celebrated as one of the Divine Ancestors who are buried at the burial ground of Behdet, during the Festival of the Beautiful Reunion held at Edfu.

 

[Finshaggy]

THE EGYPTIAN CONCEPTS OF "SOUL" (Not really what you think it would be, they were pretty smart)

IB (HEART)
An important part of the Egyptian soul was thought to be the Ib (jb), or heart. The Ib[1] or metaphysical heart was believed to be formed from one drop of blood from the child's mother's heart, taken at conception.[2]

To ancient Egyptians, the heart was the seat of emotion, thought, will and intention. This is evidenced by the many expressions in the Egyptian language which incorporate the word ib, Awt-ib: happiness (literally, wideness of heart), Xak-ib: estranged (literally, truncated of heart). This word was transcribed by Wallis Budge as Ab.

In Egyptian religion, the heart was the key to the afterlife. It was conceived as surviving death in the nether world, where it gave evidence for, or against, its possessor. It was thought that the heart was examined by Anubis and the deities during the Weighing of the Heart ceremony. If the heart weighed more than the feather of Maat, it was immediately consumed by the monster Ammit.

SWT (SHADOW)
A person's shadow or silhouette, Sheut (šwt in Egyptian), is always present. Because of this, Egyptians surmised that a shadow contains something of the person it represents. Through this association, statues of people and deities were sometimes referred to as shadows.

The shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Sometimes people (usually pharaohs) had a shadow box in which part of their Sheut was stored.

REN (NAME)
As a part of the soul, a person's ren (rn 'name') was given to them at birth and the Egyptians believed that it would live for as long as that name was spoken, which explains why efforts were made to protect it and the practice of placing it in numerous writings. For example, part of the Book of Breathings, a derivative of the Book of the Dead, was a means to ensure the survival of the name. A cartouche (magical rope) often was used to surround the name and protect it. Conversely, the names of deceased enemies of the state, such as Akhenaten, were hacked out of monuments in a form of damnatio memoriae. Sometimes, however, they were removed in order to make room for the economical insertion of the name of a successor, without having to build another monument. The greater the number of places a name was used, the greater the possibility it would survive to be read and spoken.

BA (PERSONALITY)
The 'Ba' (bꜣ) was everything that makes an individual unique, similar to the notion of 'personality'. (In this sense, inanimate objects could also have a 'Ba', a unique character, and indeed Old Kingdom pyramids often were called the 'Ba' of their owner). The 'Ba' is an aspect of a person that the Egyptians believed would live after the body died, and it is sometimes depicted as a human-headed bird flying out of the tomb to join with the 'Ka' in the afterlife.

In the Coffin Texts one form of the Ba that comes into existence after death is corporeal, eating, drinking and copulating. Louis Žabkar argued that the Ba is not part of the person but is the person himself, unlike the soul in Greek, or late Judaic, Christian or Muslim thought. The idea of a purely immaterial existence was so foreign to Egyptian thought that when Christianity spread in Egypt they borrowed the Greek word psyche to describe the concept of soul and not the term Ba. Žabkar concludes that so particular was the concept of Ba to ancient Egyptian thought that it ought not to be translated but instead the concept be footnoted or parenthetically explained as one of the modes of existence for a person.[3]

In another mode of existence the Ba of the deceased is depicted in the Book of Going Forth by Day returning to the mummy and participating in life outside the tomb in non-corporeal form, echoing the solar theology of Re (or Ra) uniting with Osiris each night.[4]

The word 'bau' (bꜣw), plural of the word ba, meant something similar to 'impressiveness', 'power', and 'reputation', particularly of a deity. When a deity intervened in human affairs, it was said that the 'Bau' of the deity were at work [Borghouts 1982].

KA (LIFE FORCE)
The Ka (kꜣ) was the Egyptian concept of vital essence, that which distinguishes the difference between a living and a dead person, with death occurring when the ka left the body. The Egyptians believed that Khnum created the bodies of children on a potter's wheel and inserted them into their mothers' bodies. Depending on the region, Egyptians believed that Heket or Meskhenet was the creator of each person's Ka, breathing it into them at the instant of their birth as the part of their soul that made them be alive. This resembles the concept of spirit in other religions.

The Egyptians also believed that the ka was sustained through food and drink. For this reason food and drink offerings were presented to the dead, although it was the kau (kꜣw) within the offerings that was consumed, not the physical aspect. The ka was often represented in Egyptian iconography as a second image of the king, leading earlier works to attempt to translate ka as double.

AKH (AN ENTITY OF INTELLECT WITHIN YOU)
The Akh (Ꜣḫ meaning '(magically) effective one'),[5] was a concept of the dead that varied over the long history of ancient Egyptian belief.

It was associated with thought, but not as an action of the mind; rather, it was intellect as a living entity. The Akh also played a role in the afterlife. Following the death of the Khat (physical body), the Ba and Ka were reunited to reanimate the Akh.[6] The reanimation of the Akh was only possible if the proper funeral rites were executed and followed by constant offerings. The ritual was termed: se-akh 'to make (a dead person) into an (living) akh.' In this sense, it even developed into a sort of ghost or roaming 'dead being' (when the tomb was not in order any more) during the Ramesside Period. An Akh could do either harm or good to persons still living, depending on the circumstances, causing e.g., nightmares, feelings of guilt, sickness, etc. It could be evoked by prayers or written letters left in the tomb's offering chapel also in order to help living family members, e.g., by intervening in disputes, by making an appeal to other dead persons or deities with any authority to influence things on earth for the better, but also to inflict punishments.

The separation of Akh and the unification of Ka and Ba were brought about after death by having the proper offerings made and knowing the proper, efficacious spell, but there was an attendant risk of dying again. Egyptian funerary literature (such as the Coffin Texts and the Book of the Dead) were intended to aid the deceased in "not dying a second time" and becoming an akh.

 

[Finshaggy]

THE OGDOAD
The eight deities were arranged in four male-female pairs: Nu and Naunet, Amun and Amaunet, Kuk and Kauket, Huh and Hauhet. The males were associated with frogs and females were associated with snakes.[1] Apart from their gender, there was little to distinguish the male gods and female goddesses; indeed, the names of the females are merely derivative female forms of the male name. Essentially, each pair represents the male and female aspect of one of four concepts, namely the primordial waters (Nu and Naunet), air or invisibility (Amun and Amaunet), darkness (Kuk and Kauket), and eternity or infinite space (Huh and Hauhet).[2]

Together the four concepts represent the primal, fundamental state of the beginning, they are what always was. In the myth, however, their interaction ultimately proved to be unbalanced, resulting in the arising of a new entity. When the entity opened, it revealed Ra, the fiery sun, inside. After a long interval of rest, Ra, together with the other deities, created all other things.

The entity containing Ra is depicted either as an egg or as a lotus bud.

In the former version, a mound arises from the waters. An egg was laid upon this mound by a celestial bird. The egg contained Ra. In some variants, the egg is laid by a cosmic goose. However, the egg was also said to have been a gift from Thoth, and laid by an ibis, the bird with which he was associated.
Later, when Atum had become assimilated into Ra as Atum-Ra, the belief that Atum emerged from a (blue) lotus bud, in the Ennead cosmogony, was adopted and attached to Ra. The lotus was said to have arisen from the waters after the explosive interaction as a bud, which floated on the surface, and slowly opened its petals to reveal the beetle, Khepri, inside. Khepri, an aspect of Ra representing the rising sun, immediately turns into a weeping boy – Nefertum, whose tears form the creatures of the earth.

KHEPRI
Khepri was connected with the scarab beetle (kheprer), because the scarab rolls balls of dung across the ground, an act that the Egyptians saw as a symbol of the forces that move the sun across the sky. Khepri was thus a solar deity. Young dung beetles, having been laid as eggs within the dung ball, emerge from it fully formed. Therefore, Khepri also represented creation and rebirth, and he was specifically connected with the rising sun and the mythical creation of the world. The Egyptians connected his name with the Egyptian language verb kheper, meaning "develop" or "come into being".[1] Kheper, or (Xeper) is a transcription of an ancient Egyptian word meaning to come into being, to change, to occur, to happen, to exist, to bring about, to create, etc. Egyptologists typically transliterate the word as ?pr. Both Kheper and Xeper possess the same phonetic value and are pronounced as "kheffer".

The main Gods each represented a Planet, and they were known to go across the sky like the sun. This is shown in the "Solar Boat".

 

[Finshaggy]

MARS
was known by the ancient Egyptians as "Horus of the Horizon",[7] then later Her Deshur[8] ("Ḥr Dšr"[citation needed]), or "Horus the Red".[9] The Hebrews named it Ma'adim (מאדים) — "the one who blushes"; this is where one of the largest canyons on Mars, the Ma'adim Vallis, gets its name.[8] The Chinese, Japanese and Korean cultures refer to the planet as 火星, or the fire star, a name based on the ancient Chinese mythological cycle of Five elements.[10] In ancient China, the advent of Mars was taken as a portent for "bane, grief, war and murder"

VENUS
Venus, called Meleket ha-Shamayim, "the queen of heaven," in Jeremiah 7:18 and elsewhere. That the latter means Venus is shown by the cakes which are said to have been baked for her.[citation needed] Among the Assyrians and Babylonians the cake offerings were called "the bread of Ishtar."

Hatshepsut one just one of the many divine names given to Venus as it literally reigned over earth during dynasty Egypt and such imagery is symbolic of Venus Hatshepsut appearing almost stationary (possibly on the horizon) as a second glorious sun, a divine heavenly queen.

Queen Hatshepsut Planetary Deity

Hatshepsut slowly assumed all of the regalia and symbols of the Pharaonic office: the Khat head cloth, topped with an uraeus, the traditional false beard, and shendyt kilt. Many existing statues show her in both a feminine and masculine form. Statues portraying Sobekneferu also combine elements of traditional male and female iconography and may have served as inspiration for the works commissioned by Hatshepsut.

However, after this period of transition ended, all depictions of her showed her in a masculine form, with all of the pharaonic regalia and with her breasts omitted. hatshepsut-god-king-pharaoh-femaleShe dressed as a king, even wearing a false beard and the Egyptian people seem to have accepted this unprecedented behavior. In short, she was portrayed as a man, more specifically a god king of Egypt. The reasons for this are a topic of great debate in Egyptology.

 

[Finshaggy]

I have done some more research, so I will post that now and get back to fairy-tales soon.

My brother died from Brain Swelling due to Traumatic brain injury, and while I was in the hospital I was looking online through some research they have done in Israel regarding Cannabinoids. I had found a Cannabinoid called "2-AG" and tons of articles on it, and from what I was reading it said that if we got Cannabinoids in my brother blood stream, it would have reversed the brain swelling and possibly even protected his brain.

When he died, what happened was his brain kept swelling until all the wrinkles were gone, it was just a flat ball, like a balloon, and it was getting scratched by a gap that is near your spine, usually your brain doesn't touch it, but it was swelling and filling the hole and causing problems. He was only 10 years old.

I showed the doctors the research from Israel, and they told me that it would probably work (this was before he died), but they said they were not going to put hash in his feeding tube, they would only give him 2-AG since that is what was in the articles, and it had to be pure so they could inject it, like they did in the articles.

I had no idea where to get any 2-AG, so we called Dr. Shakleford and asked if he could give my little brother a prescription, because he was about to die. And Dr. Shakleford said that Cannabis could slow his heart and kill him, so he was not willing to do it. But now he is dead, so I wish he would have at least tried.

Since then I have discovered how to make 2-AG myself, as well as a few other things.

2-AG is an Ester, so this means it is formed by having a Carboxylic acid and an Alcohol in the presence of each other, if a strong acid is present the reaction will happen faster.

Glycerine can be bought at the store (Wal Mart, etc) and it is the first ingredient, it is also an alcohol. So now all you need is a Carboxylic acid. Arachindonic Acid is the Carboxylic acid you need. So put Glycerine and Arachindonic acid together and apply heat, eventually all the molecules will come together to form 2-AG.

And if you want the reaction to happen faster, you add Sulfuric or acetic acid. And the end result is 2-AG. Filter to get out any leftover precursors, and add a little baking soda to counteract the acid. And you have some 2-AG.

Next I am going to explain Esters and Amino acids together.