I hate to put somethin so long on your post, but a guy gave me this when i asked about SCROG method, so im not taking credit, but i thought it was a pretty good read....if you feel like readin for a few...lol hope it teaches ya a bit...
The scrog method
The essential detail of the scrog method is a screen, usually poultry netting, typically suspended between the planting medium and the lamp. The plants grow up to the screen and then are ``trained'' under the screen, resulting in a flat table of plant growth, a field rather than a forest. Because all the buds are growing at the same height, it is possible to get all the growth within the effective circle of light from the lamp, maximizing production from the space. It's really that simple.
Well, nothing new under the sun, the method has been used for years. In modern terms, the method was first popularized on the internet by the work of pH on the usenet group Alt Drugs Pot Cultivation, or ``ADPC'' for short. You can access ADPC from several web-based sources, and pH still posts there regularly. But the method as initially used by pH was designed to tweak production from a large area under fluorescent lights, like the ``multi-shelf'' method explained in his article on N.P. Kaye's Lycaeum site. N.P. Kaye is in fact credited with the term ``screen of green'', which pH shortened to ``ScrOG''.
I am aware of a least two growers who used scrog and HID lights before that time, one based on a mention in Robert Clarke's book ``
marijuana Botany'', which was also a source for pH. But most work involving scrog and HID lights is quite recent. It is noted by pH that the first ``yield-o-rama'' post for HID scrog was in July of 1997. I became aware of the method from a medical grower in the final days of the Hemp B.C. boards, Savapalet, a posting buddy of Aeric 77.
Before discussing the method in detail, let's explore the other alternative for small HPS lights, the plantlet sea of green method.
Sea of green
The plantlet sea of green method was developed to maximize the speed of cannabis growing in limited height situations. In a typical sea of green setup of this type, clones are planted at densities as high as 9 per sq. ft. Within a short time after being established, the lights are switched to a 12 hour dark period. What happens to the planted clone?
The clone could just sit there, stretch a bit under the light regime, and flower, producing a tiny little bud with a couple of seeds. But that rarely, if ever, happens. Instead the clone takes off in a rush of growth, forming a woody main stem and branches. If the plant is suitable for sea of green growing, it will stop short of the lights and flower. Most indica dominated plants stop short enough to be grown using this method. That process is at the heart of the sea of green method, as it results in the smallest possible plant flowering in the quickest possible time.
Why does the clone act in this manner? The actual process is subject to debate. Your author suspects that the clone reads the light switch as fall, and has a mechanism that recognizes that it's too small to produce seed. So the clone goes into a furious growth mode that stops when the plant reaches a minimum height set within its genetic software, and then flowers. Others argue that the clone's response is just a variation on the normal stretching process that happens when flowering is forced in any size plant. For purposes of the discussion here, it doesn't really matter why the response occurs, just that you can rely on it.
The problem with the sea of green method under small HPS lamps is that it produces a number of small spikes under the lamp, a forest rather than a field. The plants crowd each other out and shade the lower portions, which in any event are too far from the light source. As we discussed above, tall and skinny is not productive under a small light. I grew initially using this method, based on books and magazines that I read before designing my 250 watt system, and it worked well for many years, yielding just over 1 oz. per ft. Not bad, but it can be so much better.
Note that in the mid-90's, the term ``sea of green'' started being applied to much larger plants and grows, even multiple 1000 watt installations over room-sized grow tables, with 3 foot plants spaced at one per foot. It seems the original meaning of the term, the SSSC plantlet method, has been almost forgotten.
Basic flat, fast scrog
The screen method used by pH relied on a long vegetative period for the plants to cover a large area of screen held close to a series of fluorescent tubes. The method I will describe here uses the same sort of growth process that occurs in a plantlet method sea of green plant, and is very fast. The screen should be set about 8-12" above the planting medium, if possible. There are two purposes for that gap. First, you have to get your hands underneath the screen in order to handle the plant shoots and to remove excess growth shaded out under the screen. Second, there needs to be sufficient space for the plant to branch. Branching is essential to scrog. I prefer a space of about 10" for a 250 watt light, but some growers prefer shorter gaps for smaller lights, as little as 4-6".
Note that the screen does not have to be absolutely flat, and there are good arguments for dishing the screen to match the curvature of the light field. I don't radically dish my screen, but I do tie down the middle of the screen to prevent the screen from being pushed up, which would be counter-productive.
The clones are set under the screen at a density of about 1 plant per sq. ft. Experience in using the method with various types of plants may result in more or fewer plants, but 1 per ft. is a good starting point. Note that plant density is much lower than for plantlet-method sea of green. That means fewer clones to manage and fewer plants to be holding in a bust, a factor in sentencing guidelines.
Why clones, by the way? By the time you find out which plants are male and female from seed, it would be impossible to extract the males from the foliage wound into the screen and fill in the gaps with female shoots, without a real mess on your hands. Seed plants also waste several inches of height before a mature stem section is reached from which branching can begin, whereas clones branch right from the medium. Height control is typically a limiting factor in cabinet growing. With female seeds it may be possible to grow a predictable scrog by raising the screen height, making up for the wasted stem length. Seed plants may react differently to forcing as well. I have no experience in scrog from seed.
The clones are established and kicked into vegetative growth. Assuming an 8-12" gap, just about the time where the growing tips penetrate a few inches above the screen, say at two weeks, the lights are switched to a 12 hour dark period. Ideally a response similar to the sea of green method kicks in as explained above. Instead of stopping and flowering, the plants take off, filling the screen with growth. At a density of 1 plant per ft., it usually works out that the plants stop and ``crown off'' just as the screen is filled. It's really magic to see it happen. Note that this timing method is not universal. Different plants may require more vegetative growth, or perhaps even less. My advice is to start by forcing early, because overgrowth creates an unproductive canopy, more salad than buds.
The timing is so critical. You must be around during this period to guide the growth under the screen, and to make sure all gaps in the screen are filled, one bud site per screen hole with standard poultry netting (2 x 3 inch holes). I have no position on removing fan leaves in general, but in a small scrog grow, fan leaves would overwhelm the neighboring buds, and normally they are removed. Get a good sharp, clean set of pruning scissors and just leave them with the grow. You'll need them every couple of days during this period. Note that some growers disagree, so feel free to experiment. I'm no expert on the matter, but I haul out tubs of leaves and get pretty decent results, I think.
Training really isn't difficult. With a limber plant I usually let the shoots grow vertically above the screen and then pull them under by the stem, re-orienting the stem horizontally under the screen to line up bud sites with screen holes. You don't have to tie anything down, as the upward pressure of the stem will nail the foliage to the screen, but some growers like to tie off stems to the screen during the early phases of screen filling. Here's what one grower, Ultimate, has to say on the subject:
``I swear by twist ties and have a huge stock. They can be found just about anywhere. Purchase ties which are most flexible (wire with the smallest diameter) and coated with plastic not paper, as the paper will eventually mold.
``So why twist tie? Two reasons when training for in any screen application.
1. Pre-training. (Exact placement of main stems, growth shoots and branches)
2. Bud-training. (Bending, stem crushing/crimping, and repositioning)
``When initially induced to 12/12, the main tip/tips that hit the netting are immediately trained 90 degrees perpendicular to the netting. This allows for the light to concentrate the most productive part of the plant, forcing the most efficient production the plant can dish out. Branches under the netting are allowed some time to reach the light, but less than half will see light because you're concentrating on efficiency. The most efficient growth will occur where the main stem bends on a 90 degree and beyond, which receives the most light.
``I like to leave the ties long enough for the plant hold the shape desired. Main stem usually around the second week (give or take) , and branches will always vary. Branches coming off the main stem parallel to the netting are spread as far from the main stem as possible making for a even canopy, more bud sites per square, and controlling overall height.
``To a certain extent the buds freeze at a certain point and height/stem length slows. The canopy height is close to being established, but some plants are more vigorous than others and continue stretch beyond the rest of the crop. When bud training the longer colas are controlled by bending and tying down to the screen with twist ties. In extreme cases crushing/crimping is necessary. Moldy buds can be avoided by repositioning buds growing against each other. By using twist ties each bud can be positioned where air flows between each cola allowing efficient light dispersal within the canopy and better air flow.
``Without ties? Yield was lower. A few larger colas had to be tied down shielding smaller buds from direct light, not to mention forcing the light to be raised higher, lowering production (This can be resolved by switching to a more intense bulb) . Some branches grew buds with LONG stems between the screen and base of the cola to compete with the large colas. Hybrid vigor in some cases, or plants which tend to "stretch" more than others eventually straighten out the 90 degree angle exposing less area of the most efficient portion on the plant and eventually stretches to a point where more stem was exposed to direct light, above the screen than desired. A view from the bottom (planter to the screen) showed that efficiency could be improved.''
Some plants have brittle stems, and are difficult to train. It is possible to bend a stem by crushing it lightly at the bend. So long as the structures in the plant that carry fluids aren't damaged too much, the shoot will heal and be just fine (thanks to Uncle Ben for that trick). It may also be possible to top brittle plants under the screen, so that the future growth will be in several, more slender shoots. I have no experience in training a scrog grow by topping.
After the screen is filled all growth under the screen must be clipped off. Shaded growth quickly shrivels and dies, leaving ideal growth mediums for mold. Excess leaves and shoots should be clipped close to the stem, to avoid leaving stumps as mold sites. Robert Clarke recommends pruning away from the stem, but a lot of the standard advice has to be discarded when dealing with the special conditions of a scrog grow. The space under the screen is dark and humid, and you want as little plant material under there as possible. You will haul out buckets of leaves and excess shoots from a scrog grow, but the plants can take it. Clip away.
Subsequent pruning is really limited once the plant sets buds and stops growing. Some plants develop large leaves from the buds themselves, and if the leaves shade out neighboring bud sites, I find they must be removed. But that's about it. Most of the flowering time in a scrog grow the maintenance level is near zero.
If everything goes well, the extra time required for the plants to reach the screen before the flowering period is lengthened by only about two weeks. No additional time is required to fill the screen, because that time is the same used by the sea of green method to add height. The plants end up just as long, but the growth is directed horizontally. Typically a flat scrog grow ends up resembling a tropical forest canopy, with all the buds in a thick carpet extending 8-10" above the screen. The area underneath the screen contains the tree trunks that support the canopy, like piping connecting the root mat to the canopy.
Does it matter how the canopy is created? Not particularly, in my experience. There does not seem to be a lot of difference between buds that would come from sites lower on side branches from those at the actual tip of the plant. For the most part, a bud is a bud in this method. Note that the buds grown in a scrog field are each a piece of what would be a vertical cola. Each bud grows up vertically 90 degrees from the stem. You are familiar with how a cola is made up of individual bunches of flowers connected to the stem in an overlapping spiral, producing a structure that looks like a single unit. In scrog, each one of those florets matures into a small bud in their own right, typically 4-8" tall, about the size of a cigar. They aren't donkey dicks, and you won't impress the editors of High Times into featuring your buds in the centerfold, but weight is all we're interested in, not appearance. As I say, it all looks the same in the bong bowl.
How much weight? I have shown that it is possible to reach over 2 oz. per ft. with a suitable plant and enough light density. 400 watt growers have reported up to 2.4 ounces per foot in a flat scrog. In a compressed grow, using shielded lights in a box of screen, I did nearly 2.6 ounces per foot, measured by canopy area. I suspect that 70-75 watts per sq. ft. is about the minimum to reach that kind of production, but I don't know for sure. Your results may vary, but certainly you will do better using scrog than small-scale sea of green at any light density. As an experienced plantlet-method sea of green grower, I feel comfortable stating that as a fact.
Anyone can reach the benchmark production numbers, but you must concentrate on filling the screen quickly and completely. If loose and tall would yield better, then scrog wouldn't work in the first place. You want the canopy to be low and tight, except on the edges, and one bud per hole. Screen fill density is all important to making weight.
A side note regarding the measurement and reporting of production is appropriate here. For the most part, growers on the boards talk in terms of so many ounces per square foot of growing area, apologies to the metric system. Some growers feel it is more appropriate to measure production in terms of HPS watts, taking into account how efficiently the grower uses the lamp, and our host, ~shabang~ has proposed a ``garden efficiency'' measurement, or ``GE''. In cabinet growing the area under cultivation cannot be expanded, and the lamps are typically very small, especially in comparison to any kind of production grow. I believe measuring output per watt would favor underlit grows, given an equal amount of space being used. Cabinet growers want to know how to produce the greatest weight of buds in the space they have, not how to conserve lamp power. Indeed, a cabinet grower should use the greatest amount of lamp power than can be cooled. Accordingly, I favor reporting production by area, but I encourage reporting a complete set of information about the grow so that light density can be taken into account by those so inclined. A ``yield-o-rama'' report or ``YOR'' is a good compromise. You can find information about the YOR on the usenet group ADPC in posts by Old Ketchup Lungs and other posters.
What can go wrong with a flat scrog grow? The worst thing you can do is to allow the plants to grow too long. You would think that excess growth could be cut out or moved to vertical screens, but in practice I find it's difficult to recover from a badly overgrown screen. Plants that grow into and fill the screen seem to put on better bud weight than overgrown plants that are tied down and whacked back to fit. Error on the side of forcing early, learn from what happens and adjust on the next crop.
Vegetative fills, FIM and topping
The fast, flat method relies on the flowering stretch to fill. It's the fastest, most reliable method, and the most likely to produce a short and dense canopy.
Sometimes it is not possible to use one plant per foot, particulary for grows with feminized seeds, where the grower cannot afford room to clone and hold mothers. Some growers believe vegetative fills are beneficial, but I haven't seen the weight reports to prove it.
Other growers believe that topping or FIM treatment might be beneficial in producing more branching. I think that might be true for some stiff indica's that do not branch well, but most plants will produce more than sufficient branches under the fast method at one plant per foot.
My advice is to stick with the proven method at least the first few times out. Make the benchmark weight, learn what that takes and then you can experiment. For growers who must make fewer plants cover the screen, be cautious and do not let the plant grow too long. Error on the side of short filling the screen the first time, and then adjust accordingly. An overgrown screen is difficult to recover from, particularly in the tight quarters in which a low plant density grow is likely to occur (no room, no money, usually means a micro grow).
When judging a scrog grow you see posted on this board, ignore the look of the buds and concentrate on weight. Scrog is a production method, and it's not designed to produce photogenic buds. A fair number of grows I have seen recently on the boards used the screen more to locate and support tall bud wands. You can get away with that with lights of 400 watts and over, but even then I haven't seen the kind of weight a tight, short scrog canopy can produce.
Interrupted flowering
Also known as ``buddus interruptus'', the procedure is to switch the lights to 24/0 for a day or two about at the end of the fifth week of flowering, when the buds seem to stall out. It should only be done once during the crop, and for no more than two days. The best technique is to switch for one day, wait a couple of days to observe the effect, and then give it one more day if the buds haven't responded. This is not the same as ``double budding'', as the plant is never actually kicked into vegetative growth.
If the plants react well, you will see tufts of additional flowering parts standing out from the sides of the buds like little towers. Done early enough, these extra parts should finish in time, and they will add extra weight to the crop. This technique can be particularly valuable in scrog, given the large number of smaller buds.
A caveat is in order, not all plants respond well. Some don't react to the light change at all, and a very few may be disturbed into uncontrolled growth from the tops of the buds. You might be concerned with a tendency for male parts to be produced, but I've been practising this method for a long time, and I've never seen a ``hermie''.
Bog methods
Many people have been excited about the scrog method and have dreamt up all sorts of ways to expand production, myself included in the mad scientist crowd. The most common variation is the ``bog'' method.
Bog for ``box of green'', was first coined by Kunta and further developed by chthonic and several other growers. Added to the horizontal screen are vertical screens around the perimeter. Either additional plants are used at the edges, or the scrog field plants are grown longer, but either way, the additional foliage is allowed to grow up the outside of the vertical screen, taking advantage of wasted air space above the field. It also allows plants at the edge of the field to get into the circle of intensity from the bulb.
Imagine the light field as a circle sitting tangent to a horizontal line. Imagine your plant as a point on the line outside of the circle. How can the plant get inside the circle? By going up. You might equate this method to an ``arena'' grow in this regard. An extension on the bog theme is spiral bog, first coined by chthonic. In a spiral bog the plants are allowed to add considerable vegetation, which is trained around the box in a laid-down spiral, like this (but flatter): //////. This method allows all the screen area to be densely filled with bud sites.
There are two ways to fill the vertical bog screens, as I mentioned. The first is to use more plants, which are added to the edges of the grow. When the horizontal scrog field plants are forced to flower, the plants on the edge are allowed to grow vertically like sea of green plants, the resulting growth being trained to the vertical screens. If the growth is too tall for the screens, it can be laid down at an angle, like a spiral bog grow. The advantage of this type of bog grow is reliability and speed, since the horizontal field is filled in exactly the same manner as in a normal scrog grow. The disadvantage is that the number of plants is increased to near plantlet-method sea of green levels.
The second method is to use the same number of plants as in a standard scrog grow, or thereabouts, but to allow them to grow longer before forcing, around another week or two of growth seems to be about right. This process proved to be tricky for me at first, but once I piled up some experience in timing and training, I found the method to be superior. Several growers have been successful at 70 watts. Here's what chthonic, a pioneer in the method, had to say about his experiences with 70 watt HPS lights:
``The quickest and most successful approach that I have found to train a bog grow is to lower the horizontal screen to within 6" of the soil and grow 2 plants per sq. ft. straight up to the vertical training screens. As it's a box driven by a 70-watt bulb, the height from the horizontal screen to the roof is only 12". The plants grow unhindered 18" from the soil up through a narrow band of the horizontal screen and onto the verticals until they touch the roof. Then they are laid down horizontally and trained in a spiral fashion /// around the vertical training screens. Spiral bog or s/bog. The cabinet is small; spiral training is the only way to direct the shoots so it just happens...
``The spiral training can go one of two ways. The entire plant can be bent over in one direction and trained along with the rest of the plants in a clockwise or counter-clockwise fashion around the vertical training screens. Or the plant can be trained as it naturally branched, trained in opposite directions along the vertical training screens.''
Any method of growing should be analyzed not only for production over the space used, but also for production over time. Just for the sake of argument, let's suppose a plantlet-method sea of green method produces 1 ounce per ft., and the subject plant takes 60 days to complete its life cycle. That would be .017 oz. per ft./day. Let's suppose a scrog grow takes two weeks longer, 74 days, and produces 1 1/2 oz. That would be .020 oz. per ft/day, advantage scrog. Let's suppose than an extended bog grow takes two more weeks than a scrog grow, 88 days, and produces 2 oz. That would be .023 oz. per ft. day., advantage extended bog.
Note that it's possible to shorten the cycle by growing plants in a separate area for about two weeks and then adding them to the scrog setup. But most micro and mini growers don't have room for a separate growing area.
The ``bog'' term is subject to some debate. Chthonic believes that the term should be used for a box of foliage that surrounds a light held in a vertical position. Such a setup can be an outstanding way to get the most of out small security lights in the 70-100 range. But I think for a larger light, like a 150 or 250, it is necessary for the light to be in the normal horizontal position above the box. Personally, your author thinks that bog can be used as a general term to describe such a grow, and I don't really know what other term to use. Chthonic believes this type of grow can be referred to as an arena grow, but I've usually seen that term applied to free-standing plants rather than a box of screen. In my recent compressed grows using shielded lights, I coined the terms ``h/bog'' and ``v/bog'', stealing from chthonic's notation, but no one else has picked up on the lingo. Time will tell what terms become attached to these methods. Most people just use the generic term ``scrog''. Fair enough.
Finally, hollow screen forms do not have to be in the shape of square-cornered boxes. I've seen one grower using small HPS lights who shaped his screen into a deep bowl shape, with the light suspended in the middle. Posts on ADPC describe inverted V shapes, and cylinder forms have sprung up at Cannabis World. A single ``correct'' way to do this probably doesn't exist.
At this point, these methods are so new that every grow provides significant information. My advice to those new to the scrog method is to get a few fast, flat scrog grows under your belt first to get used to the process. But do add the vertical screens regardless, and capture whatever excess growth you can on the verticals, as there is no reason not to handle as much growth as you can.
V-scrog
The final extension of this concept was thought up by Kunta, and dispenses with the horizontal screen entirely. I coined the term for the method, ``v-scrog'', for vertical scrog. Vertical screens extend from the plant medium all the way up to the top of the growing space. The light is not in a reflector at the top of the space, but is suspended vertically in the middle of a tube of foliage, approaching peg's Rama concept for zero-g cannabis growing. Note that the entire light field is used, not just from the bottom half of the lamp and what comes off the reflector. The foliage area is stunning. Imagine a 2 x 2 cabinet with a v-scrog screen held 4" from the walls, with a gap in the front screen for maintenance. Suppose the buds fill up about 3' of the vertical screen. We're talking 4 screens, each 4' in area (16" x 36"). Take off a couple of inches for corner overlap and a gap in the front for access, and that's nearly 14 sq. ft. of screen in the same space that supports 4' of flat screen. Even if the production per foot were half, and it would be less due to the loss of the 3D flat scrog field, you're still talking 3 ½ ounces per foot!
Can that really be possible? Not so far. I have grown two v-scrog's that were mostly failures, but I have modified the growing space to correct the problems and I will continue testing sometime in the future. The problems so far involve the time needed to fill the screen area, which could reduce the production over time substantially, and the ability to handle the moisture load produced by the massive amount of foliage. I am also not the world's most talented trainer, but chthonic, Ultimate, Eugene and others have done very well in tiny vertical box forms with 70 watt lamps.
Even if production isn't dramatically better than horizontal methods, v-scrog is a promising solution to growing in very restricted height conditions. It might be possible to grow a productive crop with 150 and 250 watt lamps in as little as 2', maybe less. Since the light-to-foliage gap is horizontal, the only absolute vertical needs are for the plant container and a gap between the end of the downward-pointing bulb and the planting medium. Plant growth could be controlled by training it across the vertical screen, which could be any reasonable height.
Soil or hydro?
I have read nearly every scrog post on this board, and a lot of the activity on other boards and at ADPC, and it appears that a successful scrog can be done using plants in pots as well as with more exotic hydroponic systems. But there are a few elements of scrog growing that tend to favor an active hyrdroponic setup.
Once you get past a small, flat scrog grow, it becomes very difficult to train a more complex grow by reaching into the cabinet space. I would never design a sizable scrog system, or any bog-type grow, without the capability of rolling or sliding out the plant container and screens as a single unit. Obviously that means that the screen should be connected to the plant container, or possibly to a common substrate, like a plywood base. The screen does not need to be sturdy, it's just a guide, so there are many ways this could be done. But obviously it is much easier to slide out an empty container than one full of water (DWC) or soil.
Although I lack experience in using soil intensively, active hydro systems allow freshly rooted clones to have direct access to very high levels of nutrients immediately. That may mean that active hydro scrogs will evolve quicker than soil or DWC grows. I don't believe there is enough experience available to express a firm opinion on this matter, and certainly I have seen many fine DWC grows recently. For that matter, the best 400 HPS production number I've seen was accomplished in soil.
First-time growers, fluorescent lights
Scrog is not a difficult method to use, and new growers should not hesitate to try it. In fact, because most new growers are using small lights, often fluorescents, getting a reasonable harvest almost requires scrog, or a similar method such as paper-clip training or FIM (look it up). I favor scrog training over FIM because it is easier and quicker. FIM is probably a better method for larger lights, 400 and up, where the height of the bud wand can be handled.
New growers are probably going to use soil or DWC, both of which produce good results with scrog. Soil growers should avoid pots, which restrict the size of the root mat and take up precious vertical space. Instead, a plastic pan about the size and shape of the growing space should be used, which will maximize the root mat. It doesn't need to be very deep, about 6" would be suitable.
A good first choice would be a 70 HPS lamp or two in a space about 1-3 square foot, using soil or DWC. The cost of the materials needed is minimal, and the output from 70 HPS lamps is proven. You can expect to get 1-2 ounces per foot, and in presentable buds.
If fluorescents must be used, avoid compact bulbs and stick with tubes. As mentioned above, scrog as envisioned by pH was designed to be used with fluorescent tubes, stacking multiple grows in a single space to make up for the lower production. The design keeps the canopy flat and a few inches away from the surface of the bulb. Compact fluorescents tend to wrap the tube surface inside themselves, making the light from those surfaces available only by reflection. Further, by being compact they act as a point source without the required intensity to back it up.
A fluorescent tube grow could be accomplished in a space as small as 2' square, to accomodate a series of tubes, or a footlocker-type space, maybe the bottom of a closet, to take 4' tubes. It would be wise in either case to mount the ballasts outside the growing space to help with heat.
Getting the most from a fluorescent grow requires keeping the canopy tight and close to the tubes. Use one plant per foot, an 8-12" screen gap and force when the plants hit the screen, which will produce the fastest and most predictable screen fill, and will tend to keep the canopy in check. Using vegetative growth to fill the screen is an advanced technique, and I would avoid it unless you are restricted to a fewer number of plants by circumstances.
There are several myths floating around the boards about fluorescents vs. HPS lamps. It is often said that HPS lamps are expensive, but it isn't really so. Security lights containing HPS bulbs and ballasts can be purchased at discount hardware stores, and separate ballasts are available from online sources at very reasonable prices. 70 HPS security lamps go as low as $30-50. Remember also that HPS lamps have a higher mean output over time compared to their rating, and last much longer than fluoros.
It is often said that HPS lamps are hotter than fluorescents, but that too is a myth. Fluorescent lamps, aside from corporate b.s. by Lights of America, are less efficient than small HPS lamps, and therefore produce more heat per watt. To say an HPS lamp is hotter in the context of growing is to say a burning match is hotter than a radiator; it's true, but which will heat a room? A fluorescent spreads the heat over a larger area and therefore feels less hot to the hand. HPS and fluorescent tubes have an advantage in separate ballasts that can mounted outside the growing space. Compact electronic ballast fluorescents are more efficient than magnetic ballast tubes, but all of the heat they produce is confined in the growing space.
If you must use fluorescents, be realistic and don't expect to be bowled over by the buds. Depending on the plant they will either be light and feathery, or hard, but very small. You can grower larger and harder buds with fluorescents, but only by stacking up a wasteful amount of wattage on a very few bud sites. If you would like to compare some fluorescent and small HPS grows by wattage, there is a link below that will lead you to a post that compiles the best near-harvest pictures on a non-judgemental basis. People get very heated on this board pro and con regarding fluorescents (guilty), so look and make your own decision based on real grows.
Scrog growing works best with clones, but that requires a mother area which may not be possible for a new grower. Feminized seeds from Dutch Passion should work as well, though I would provide a couple more inches of screen gap to allow for the portion of the seed plant stem that will not produce branches. Branching is fundamental to scrog.
If it is not possible to produce clones or to acquire feminized seeds, then I would not use scrog. An alternate method would be to grow each seed in separate soil containers and use plantlet method sea of green, paper-clip training or FIM to control height. When the males show, they can be removed from the growing area, and the remaining females re-arranged to best suit the light source. Using a plantlet method pretty much requires an HPS lamp to get decent production, as much of the growing surface will be vertical. Fluorescent tube lamps lack intensity, as they spread their light over a large area, and compact fluorescents simply lack enough punch to act as point-source lights. Use a small HPS lamp and keep the plants trained low and flat as possible, and you should yield at least an ounce per foot.
Basic design elements
There are essentially two classes of HPS lamps when it comes to scrog growing, the small ``security light'' types, in the 50-100 range, and larger lamps in the 150-250-400 range. The best way to plan your own design is to see what others are doing. Exercise the search engine and look for scrog grows with similar-sized areas and lamps, analyze their results and plan accordingly.
The smaller lamps need to be held quite close to the canopy, as the effective range in which they will produce tight buds is limited. A 70 HPS has a range of about 8", for example. That means the distance from the screen to the light should be only an inch or two outside the range, to allow for some vertical stretch, and the distance from the lamp to the edge of the space has to be computed keeping in mind that the light is traveling on the longer diagonal out and down to the canopy. Using the standard of 50 HPS watts per square foot of canopy will produce good results, but I would shoot for more like 70-75, meaning that a 70 would be perfect for a square foot of screen. If you wished to grow with two or more 70-100 HPS lamps, the lights should be distributed over the canopy, not bunched together.
The 50-70 watts per square foot rule applies to the larger lights as well, but as power increases the limit is more negotiable. Within the confines of a scrog cabinet or box, a 400 watt lamp has a lot of power directly underneath it. Asking a 400 watt lamp to light an 8 square foot area means skirting the lower limit of the lamp power, but for the areas close to the lamp the intensity is far greater. By keeping the canopy directly under the lamp short, and by allowing the growth on the fringes to get taller, one can leverage the power of the 400 to a larger space. 400 watt lamps are therefore an excellent match with an arena, or bog type of grow. It is also possible, but not confirmed, that 400 HPS lamps could produce better with a supercropping type method, like FIM, instead of scrog. It's probably a close thing, and maybe a mixture of a horizontal scrog canopy under the lamp and FIM-type plants around the edges would be superior, a true ``arena'' grow.
The 150 and 250 watt lamps don't have that kind of power, and the canopy must be kept relatively close. The 250 has a reach of 20" within which it can tighten up buds, and therefore a 2' x 2' space is about as far as you can push the lamp and keep the production per foot up. Because the area under the lamp is relatively small, using a bog or arena type of grow becomes more difficult, as the most productive area, the horizontal field, becomes pinched down. These lamps are probably better used with a basic flat scrog, although there is no reason not to allow some growth on the vertical walls if it can be arranged within the space. Certainly, in any flat scrog grow, you have nothing to lose by letting the very outside row of buds grow tall, even to the extent of using additional plants to get that result. I see a lot of flat scrog grows where the growth thins out on the edges with bare walls surrounding the bulb. Error on the side of higher plant densities, and use the outside space to your advantage.
Note that while the smaller ``security light'' HPS lamps lack reach alone, added to a larger lamp's light field they can be useful as supplements to balance out a light field and to add some punch. For example, in a 2'x 2' cabinet, a 70 HPS added to the empty end of a 250 HPS hood would provide a combination of 80 HPS watts per foot, and would illuminate the overall space more evenly. If you are inclined to try a small MH light, perhaps you could add both light and some spectrum balance. I've also seen compact and tube fluorescents added as supplements, but that's like lighting a candle in sunlight; not much help, unless some extra heat is needed. If you're adding watts, make them count.
Height is often a restrictive element when designing a cabinet grow, particularly if mother and cloning space is needed in the same space. An unshielded (open bulb) 250 grow is perfectly suited to a space 2' x 2' x 4'. But by using a horizontal shield of tempered glass, or a plastic like lexan or plexiglass, the heat from the lamp can be confined and controlled, and up to a foot of space can be recovered by tightening up all the other elements as much as possible. Lexan or plexiglass sheets are available at discount hardware stores, can be cut with normal tools (sawed, or scored and snapped), and are modestly priced. Designing such a grow means using an extra fan to cool each compartment space, or providing for airflow from the growing area through the barrier.
Designing a cabinet in terms of the vertical space needed is best done by working backwards. Start with the known dimensions of the basic elements, the height of the plant container, the medium to screen gap and the thickness of the lamp/hood assembly. That leaves the growing space above the screen, which is somewhat negotiable. If you keep your canopy low and tight, using the flowering stretch to fill the screen in the classic fast, flat scrog fashion, none of the buds will get much bigger than 8-10" above the screen.
There has to be a gap between the top of the buds and the lamp for two reasons. First, obviously, the whole canopy must see the lamp. Second, the tops of the buds can't be fried by the lamp. Even with shielding some gap is necessary, as the tops of some varieties react badly to being in close proximity to an intense light source, producing thick stem growth that erupts from the bud tops.
Cooling and airflow are the final design element. Even with shielding there must be adequate airflow through the canopy to avoid mold, and to carry off the moisture load created by the plants. A 4' canopy under a 250 HPS will pull about a half gallon per day through the leaves, and that water has to be removed, regardless of the temperature. With the smaller HPS lamps probably ``muffin'' type axial fans are sufficient, available at many hardware stores, all growstores, and online at sites like Grainger.com, which sells Dayton and Comair fans for reasonable prices. The Comair ball-bearing axials last much longer than the solid bearing Daytons, but they are noisier; my 115 CFM 5N471 Comair's sound like a helicopter starting up.
Note that Grainger apparently checks for obvious individual accounts, so be cautious. Use a valid federal tax number (like your employer's), a business address if you can, or at least use the term ``suite'' rather than apartment, and a phone number that answers at the business name. Not everyone can accept packages at work of course, so you may not be able to access Grainger, which is a shame.
Larger setups require more fan power, say about .5 to 1 CFM per HPS watt as a decent guide, and are usually best ventilated with an industrial ``squirrel cage'' type blower, available from the same sources. Grainger has a nice selection at reasonable prices, with several different configurations to match the requirements of cabinet growing. Usually room has to be made available in the cabinet for the hardware, so look for designs that are compact and easy to mount in a given space. The Dayton 4C754 200 CFM axial is an excellent choice, $80-90 at Grainger, but using the Overgrow search engine with the word ``Dayton'' should provide a wealth of other examples. Dayton and Rubbermaid make a lot of money from pot growers; I wonder if they realize that?
Usually the fan is mounted to blow the air out, sucking it up through the canopy from an inlet into the box. It would be better in theory for the fan to blow into the confined space, to produce an over-pressure rather than a partal vacuum. But it's easier to light-proof a space with the fan power sucking the door against the seals than to be fighting air pressure.
Fans for smaller grows can simply be controlled by the light timer, always on when the lights are burning. Larger grows with squirrel cage fans need to be controlled by a line thermostat. I would avoid the cheapo hardware store models and go with something decent, like the Dayton 2E728 at Grainger for about $40-50. If you're using a shielded grow with outside air inlets, you may find humidity is the problem rather than temperature. In that case a line humidistat or a thermostat and humidistat in parallel might provide the best control.
Fresh or room air inlets should be a match with the space and the airflow. A general guide is to provide about .03-.05 square inch of inflow space per HPS watt. For example, a 3" circular plastic tube inlet would be a minimum requirement for a 250 HPS grow. Air inlets and outlets need to be arranged to avoid light leaks into the growing space. Turning the air duct 90 degrees and avoiding reflections with flat-black paint inside the duct is sufficient. For example, a ABS plastic plumbing elbow seems to be popular these days.
The prototypical scrog screen is poultry netting, which consists of 2" x 3" irregular hexagons, about 24 per foot. Poultry netting seems to space out the buds just right, in my experience. I see other growers using various types of square plastic netting, and quite a few weaving their own between sticks with wire or fishing line. If you use square holes, I would tend to size them at about 2 1/2" or a little less, but in no case would I go smaller than 2". Poultry netting costs nothing, but it does have the disadvantage of cut wire ends around the edges which always seem to be diabolically placed to slice up your hands and arms. Whatever you use, remember it doesn't have to be very sturdy. Don't steal growing space with wide wood pieces around the edges. Use something like a thin dowel, or stiff heavy-gauge wire to secure the screen.
Finally, don't neglect safety in any grow. When using electrical devices around water, a GFCI-protected outlet is a must. Before doing anything else, learn a few basics about electricity. Most of the basic grow guides do a reasonable job, but plenty of information is available online. This is suppose to be fun, but it's not a daredevil sport, so don't kill yourself doing it!
Conclusion
Hopefully this will give you an idea of where we stand on small level scrog methods and will answer some of the basic questions. In spite of the long history of the use of screens and netting in cannabis growing, accelerated scrog growing under HID lights is a wide open field, and each new grower can add experience and ideas to the mix.
Editorial assistance by newbie, except for the last three sections, which are all my fault. Additional input by chthonic and Ultimate as noted. Thanks to pH, Uncle Ben, Ganja Baron and Teahead for assistance and suggestions on specific topics. I should also acknowledge indirect input by Bongo and Shuzzit, as well as the other growers mentioned in the article.
Note: I have retired from internet posting activities. Anyone who cares to copy this post and continue with it is welcome, but remember it should always be open to edits from the community, rather than being one poster's opinion. - SCW
