eye exaggerate
Well-Known Member
Ahhh those are your lyrics in your backwards song.
Yep, and I'm fairly high so, didn't mean to be vague.
Ahhh those are your lyrics in your backwards song.
...cheers, I'll work on that because I don't see myself being any less stoned this eveningI'm in the same boat. made the vague very vague. lol
...can you touch it?
...do you feel it?
nb: this is not a God thread
I'm a professional musician, and I've always been fascinated by the fact that non-lyrical music affects people in similar ways across the globe, i.e. minor chords and keys evoke sad/melancholy feelings, and major keys and chords evoke happy or upbeat feelings, or slow tempos generally bring a feeling of peace and tranquility, while faster tempos elicit excitement and energy, etc.. Why should this be so? Without lyrics telling us what the song is about, how are specific combinations of vibrations and tempi affecting us in such similar ways? When I was a child, I wanted to be a sort of Joseph Campbell of this phenomena, as there was very little to no research in this area. I think there are some who are currently doing research on this topic, but I haven't looked into it...
sweet! I like that.Just the same way you cant taste music,but you can make a tasty jam of a song.
I love composers that push the envelope, if for no other reason than to freak people out of their comfort zones I play a lot of 20th century classical composers and there are chord structures and unique development sections that elicit feelings in me that I've never experienced before, and not all of them are comfortable. You can feel yourself stretching to attempt to understand what the composer's idea is, and that capacity for new emotional depth is often translated to other areas of life. Way cool......awesome. Back in the day folks were terrified by the tritone. My thought is that is brought them closer to themselves. Or, helped organize their inner being in a way they had yet to experience.
^^ Hell, yeah! My ex-wife LOVED the Doors and got me into them. That's a good track. I know I've listened to these guys WAY too much (esp. this track):
...mind if I ask which instrument? By 'chord structures' I'm guessing guitar with some piano?I love composers that push the envelope, if for no other reason than to freak people out of their comfort zones I play a lot of 20th century classical composers and there are chord structures and unique development sections that elicit feelings in me that I've never experienced before, and not all of them are comfortable. You can feel yourself stretching to attempt to understand what the composer's idea is, and that capacity for new emotional depth is often translated to other areas of life. Way cool...
Violin, actually, though I love classical guitar (rock, too). I play with my pianist buddy mostly......mind if I ask which instrument? By 'chord structures' I'm guessing guitar with some piano?
Violin, actually, though I love classical guitar (rock, too). I play with my pianist buddy mostly...
French Jazz is awesome like Django Reinhardt and Stephane Grappelli! Those guys ROCKED!That's awesome, the violin is not what most people think it is! My introduction to playing with a violinist was in high school...french jazz. Weird combo, actually
Yeah, I STILL am not sure what the meter is on this one. You're a drummer? That's cool. I love bands that fuck with meter and tempi all over the place (Tool is my favorite, but King Crimson, Mars Volta and Frank Zappa all do it), keeps it interesting..."and then they went... 1, 2, 3, 4...."
I can see the people who were pretty messed-up while listening to that for the first time lookin' like they just tripped on their shoe laces thinking it was a straight-up 4/4.
Totally fun to play as a drummer.