"In the summer of 1966, Janis Joplin was a drifter; four years later, she was a rock-and-roll legend. She’d gone from complete unknown to generational icon on the strength of a single, blistering performance at the Monterey International Pop Festival in the summer of 1967, and she’d followed that up with three years of touring and recording that cemented her status as, in the words of one critic, “second only to Bob Dylan in importance as a creator/recorder/embodiment of her generation’s history and mythology.”
Born in Port Arthur, Texas, in 1943, Janis Joplin made her way to San Francisco in 1966, where she fell in with a local group called Big Brother and the Holding Company. It was with this group that she would become famous, first through her legendary performance of “Ball And Chain” at Monterey and then with the 1968 album Cheap Thrills. She soon split off to launch a solo career, however, her personality and her voice being far too big to be contained within a group.
”I’d rather not sing than sing quiet,” she once said in comparing herself to one of her musical idols. “Billie Holliday was subtle and refined. I’m going to shove that power right into you, right through you and you can’t refuse it.” But if sheer abandon was Janis Joplin’s vocal trademark, she nevertheless always combined it with a musicality and authenticity that lent her music a great deal more soul than much of what the psychedelic era produced.
But it was never just music, or the passion she displayed in performing it, that made Janis Joplin an icon. It was the no-holds-barred gusto with which she lived every other aspect of her life as well. Far from being an empty cliché, “sex, drugs, and rock and roll” was a revolutionary philosophy to many in the late 1960s, and Janis Joplin was its leading female exponent. Her string of romantic conquests ranged from Kris Kristofferson to Dick Cavett. Her drug and alcohol consumption was prolific. And the rock and roll she produced was timeless, from “Piece Of My Heart,” “Get It While You Can” and “Mercedes Benz” to her biggest pop hit, “Me And My Bobby McGee.”
In the autumn of 1970, Janis Joplin was in Los Angeles putting the finishing touches on the album that would prove to be the biggest hit of her career, Pearl. She did not live to see the album’s release, however. On this day October 4,1970, she died of an accidental heroin overdose and was discovered in her Los Angeles hotel room after failing to show for a scheduled recording session. She was 27 years old".
Breathless promotion on the local radio station. Tickets selling out in a single day. Thousands of teenagers, hours before show time, lining up outside the biggest venue in town. The scene outside the Cleveland Arena on a chilly Friday night in March more than 50 years ago would look quite familiar to anyone who has ever attended a major rock concert. But no one on this particular night had ever even heard of a “rock concert.” This, after all, was the night of an event now recognized as history’s first major rock-and-roll show: the Moondog Coronation Ball, held in Cleveland on March 21, 1952.
The “Moondog” in question was the legendary disk jockey Alan Freed, the self-styled “father of rock and roll” who was then the host of the enormously popular “Moondog Show” on Cleveland AM radio station WJW. Freed had joined WJW in 1951 as the host of a classical-music program, but he took up a different kind of music at the suggestion of Cleveland record-store owner Leo Mintz, who had noted with great interest the growing popularity, among young customers of all races, of rhythm-and-blues records by black musicians. Mintz decided to sponsor three hours of late-night programming on WJW to showcase rhythm-and-blues music, and Alan Freed was installed as host. Freed quickly took to the task, adopting a new, hip persona and vocabulary that included liberal use of the phrase “rock and roll” to describe the music he was now promoting. As the program grew in popularity, Mintz and Freed decided to do something that had never been done: hold a live dance event featuring some of the artists whose records were appearing on Freed’s show. Dubbed “The Moondog Coronation Ball,” the event was to feature headliners Paul Williams and his Hucklebuckers and Tiny Grimes and the Rocking Highlanders (a black instrumental group that performed in Scottish kilts). In the end, however, the incredible popular demand for tickets proved to be the event’s undoing.
Helped along by massive ticket counterfeiting and possibly by overbooking on the part of the event’s sponsors, an estimated 20,000-25,000 fans turned out for an event being held in an arena with a capacity of only 10,000. Less than an hour into the show, the massive overflow crowd broke through the gates that were keeping them outside, and police quickly moved in to stop the show almost as soon as it began. On the radio the very next evening, Alan Freed offered an apology to listeners who had tried to attend the canceled event. By way of explanation, Freed said: “If anyone…had told us that some 20 or 25,000 people would try to get into a dance—I suppose you would have been just like me. You would have laughed and said they were crazy.”
