1968 - The Byrds
American band the Byrds released their sixth album Sweetheart of the Rodeo. The album has proved to be a landmark for the entire nascent 1970s Los Angeles country rock movement and was also influential on the outlaw country and new traditionalist movements, as well as the so-called alternative country genre of the 1990s and 2000s.
I had heard they were booed at the GOO but I hadn't heard about the rest. (from wiki wiki)
Nashville reaction . . . .
Upon completion of the Music Row recording sessions, the band ended their stay in Nashville with an appearance at the
Grand Ole Opry at
Ryman Auditorium (introduced by future "outlaw" country star
Tompall Glaser), on March 15, 1968.
[12] The band was greeted with derision by the conservative audience because they were the first group of
hippie "longhairs" to play at the venerable country music establishment.
[10] In fact, the Byrds had all had their hair cut shorter than they normally wore it, specifically for their appearance at the
Grand Ole Opry, but this did nothing to appease their detractors in the audience.
[10] The Byrds opened with a rendition of Merle Haggard's "
Sing Me Back Home", which was met with derisive heckling, booing, and mocking calls of "tweet, tweet" from the hostile
Opry audience.
[10] Any hope of salvaging the performance was immediately destroyed when Parsons, rather than singing a song announced by Glaser, launched into a rendition of "Hickory Wind" dedicated to his grandmother.
[10] The deviation from protocol stunned
Opry regulars such as
Roy Acuff and embarrassed Glaser, ensuring that the Byrds would never be invited back to play on the show.
[12]
Nearly as disastrous was the group's appearance on the
WSM program of legendary Nashville
DJ,
Ralph Emery, who mocked his guests throughout the interview and initially refused to play an
acetate of "You Ain't Goin' Nowhere".
[31] Eventually playing the record, he dismissed it over the air and in the presence of the band as being mediocre.
[31] Clearly upset by their treatment, Parsons and McGuinn would make Emery the subject of their song, "Drug Store Truck Drivin' Man", which was written by the pair in London in May 1968.
[32] The song appeared on the Byrds' next album,
Dr. Byrds & Mr. Hyde, although this recording did not feature Parsons because he had left the band by this time.
[33]